Abstract
The Lake District’s inscription as a UNESCO World Heritage site in 2017 foregrounded the harmonious relationship between culture and nature in the cultural landscape. Looking at the Lakes from a perspective that problematises both harmony (for Prynne a ‘function of money’), and culture (for E.P. Thompson ‘a whole way of conflict’), this article considers the landscape in the contexts of farming, tourism, economic growth and finally COVID-19. I argue that visitor activity following the easing of lockdown restrictions in 2020 and 2021 can be understood as offering a challenge to the dominant narrative of harmony underpinning the region with an uncomfortable apocalyptic revelation of a consumer culture that tourist destinations such as the Lakes more often work to conceal.
| Original language | English |
|---|---|
| Pages (from-to) | 176-190 |
| Number of pages | 15 |
| Journal | Green Letters: Studies in Ecocriticism |
| Volume | 27 |
| Early online date | 26 Jun 2023 |
| DOIs | |
| Publication status | Published online - 26 Jun 2023 |
Keywords
- culture
- conflict
- lake district
- tourism
- farming
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