Abstract
The solo exhibition Black Magic was the result of a research project which interrogated the problematics associated with the female artist as author/performer. Largely influenced by Gilbert and Gubar’s The Madwoman in the Attic (1979), the exhibition set out to construct an identity for the female artist which foregrounded ‘an anxiety of authorship’.
| Original language | English |
|---|---|
| Publication status | Published - 5 Jun 2010 |
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