Abstract
The paper contrasts Burkean and Kantian theories of the sublime, arguing that Burke's vision is more appropriate to a latterday consideration of the romantic psyche.
| Original language | English |
|---|---|
| Title of host publication | The Proceedings of the 17th Annual Conference of the South African Association of Art Historians |
| Place of Publication | Durban |
| Publisher | University of Natal |
| Publication status | Published - 2002 |
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