Abstract
In hungry, paranoid, brutal, repressed 1590s London you would have been able to go to the theatre and see a play interrupting its 'main' action - the contention between Lancaster and York for the English crown during the War of the Roses - with a nasty, brutish, and short interlude. The Jack Cade rising of 1450, on the London stage of the 1590s, begins with two workmen commenting on the rising.
| Original language | English |
|---|---|
| Title of host publication | Shakespeare and the politics of commoners: digesting the new social history |
| Editors | Chris Fitter |
| Place of Publication | Oxford, UK |
| Publisher | Oxford University Press |
| Pages | 124-145 |
| ISBN (Print) | 9780198806899 |
| Publication status | Published - 27 Jul 2017 |
Fingerprint
Dive into the research topics of 'The plebeians revise the uprising: what the actors made of Shakespeare's Jack Cade - or, laughing with the English radical tradition'. Together they form a unique fingerprint.Cite this
- APA
- Author
- BIBTEX
- Harvard
- Standard
- RIS
- Vancouver