Walking the line: deconstructing identity, suicide and betrayal in Peter Maxwell Davies ’Mr Emmet Takes a Walk'

Research output: Contribution to journalJournal Articlepeer-review

Abstract

This article explores how Peter Maxwell Davies uses thematic and structural devices to chart the means by which the title character in Mr Emmet Takes a Walk is led towards suicide. Discussion centres on how Davies integrates use of quotation and trademark musical gestures into the development of characterisation in order to explore different states of ‘reality, dream and waking fantasy’ by which he seeks to explain the reasons for Emmet’s suicide.
Original languageEnglish
Pages (from-to)319-351
JournalCambridge Opera Journal
Volume24
Issue number3
DOIs
Publication statusPublished - 28 Nov 2012

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